Memories and subjectivities: processing of a story in three spectacle theatrics biographical stagings

Abstract

This article takes as its point of departure the latest reflections on the question of memory, but it seeks to anchor into objects of study which are theatrical performances that sought to weave subjectivities and memories in scene. At this point, are Sarah Kane, Pau Casals and Grande Otelo, as far apart but linked by the stage that transposes their lives as theatrical scene and, at the same time, insert them into a necessary history of contemporary spectacle.