Photograph at the press: conflicts in the dark room

Authors

  • José Lúcio da Silva Menezes Pontifícia Universidade Católica deSão Paulo, São Paulo, SP

DOI:

https://doi.org/10.5216/o.v14i1.28995

Keywords:

Brazilian Press Workers, Strike, Military Dictatorship, Democracy.

Abstract

This article examines the ideological content of Veja's speech on the Brazilian working class that emerged during the late 1970s. The prominence given to workers as central theme is due to the strike movements initiated by them after years of hiding his strength under the repression of civil-military dictatorship (1964-1985). With the increase of the rebellions, the materials regarding this group in the Journal were becoming more constant and visible, and it was no longer possible to ignore the existence of the working class with the insurgent force of strikes occuping Brazilian streets.

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Published

2014-09-18

How to Cite

MENEZES, José Lúcio da Silva. Photograph at the press: conflicts in the dark room. OPSIS, Goiânia, v. 14, n. 1, p. 244–261, 2014. DOI: 10.5216/o.v14i1.28995. Disponível em: https://periodicos.ufcat.edu.br/index.php/Opsis/article/view/28995. Acesso em: 9 sep. 2026.

Issue

Vol. 14 No. 1 (2014): Dossier 50th Anniversary of Coup: power, culture and ideology in Brazil and Latin America

Section

Dossiê 50 anos do Golpe: poder, cultura e ideologia no Brasil e América Latina

License

A revista se reserva o direito de efetuar, nos originais, alterações de ordem normativa, ortográfica e gramatical, com vistas a manter o padrão culto da língua, respeitando, porém, o estilo dos autores. Os trabalhos publicados passam a ser propiredade da OPSIS, ficando sua reimpressão total ou parcial, sujeita a autorização expressa do Conselho Editorial da OPSIS. As opiniões emitidas pelos autores(as) dos artigos são de sua exclusiva responsabilidade. Cada autor(a) receberá dois exemplares da revista.