THE MARGINAL SIGN IN THE CONSTRUCTION OF THE CRITICAL UTTERANCE IN THE ARTISTIC PRODUCTION OF EMICIDA

Abstract

In this text, we will analyze so descriptive and interpretive form a cut of enunciates from song lyrics that compose the album O glorioso retorno de quem nunca esteve aqui (2013), of Emicida, elected to contain critical positions about the black social reality in contemporary society. These enunciates was be analyzed from the dialogic theory of language, Bakhtin Circle, tracing possible relationships between the notion of enunciante and the concepts developed by Russian thinkers of Bakhtin Circle like art and life, dialogue, enunciated, exotopy, chronotope, reflection and refraction and ideological sign. Of this form, we will analyze the place that the subject-enunciator Emicida enunciates, because, the construction of the critical enunciation of its letters put in confrontation the place that the marginal subject enunciates in a given reality. Therefore, we try to observe how this new marginal person, who has conquered an economic and social place through his art, but does not separate from that of marginal being, not abandoning its place of belonging (place of poor, black and slum dweller), appears in the enunciates of Emicida.